STATEMENT/BIO

Michael Menchaca (b. 1985) is a Xicanx, Mexican-American, Queer multidisciplinary visual artist from San Antonio, TX. They create artworks at the intersection of print media, painting, video sculpture, photo collage, digital animation, and new media installation. Their vector-based drawing practice blends the framework of ancient Mesoamerican Codices, European Bestiaries, Catholic Baroque imagery, Mexican devotional paintings, textile arts, and Japanese Video Games with the seductive, attention-seeking interfaces of Big Data Technologies. They have developed a digital lexicon of animal archetypes and narrative pattern designs, or their own digital codex, to assist in mythologizing the interwoven logic of global apartheid projects including but not limited to: European conquest, U.S. border imperialism, natural resource extraction, data colonialism, and AI evangelism. Through maximalist imagery and coded symbolism, Menchaca attempts to visualize the various intra-ethnic social aspects that specifically characterize the Latinx experience across lines of class, caste, age, gender, race, nationality, neurodiversity, sexuality, and ability, all contextualized within a hyper-mediated American landscape.
Menchaca studied at San Antonio College (Print Graphics '07), Texas State University (Bachelor of Fine Arts - Printmaking '11), and the Rhode Island School of Design (Master of Fine Arts - Printmaking '15). They have received numerous awards, notably the Latinx Artist Fellowship in 2021 from the US Latinx Art Forum (USLAF), supported by The Andrew W. Mellon Foundation and the Ford Foundation. Menchaca's work has been featured in Hyperallergic, The New York Times, Artnet, The San Antonio Express News, La Prensa Texas, El Central Hispanic News, The Brooklyn Rail, and The Modern Art Notes Podcast. Their work can be found in the permanent collections of The Smithsonian American Art Museum, D.C.; U.S. Library of Congress, D.C.; The National Gallery of Art, D.C.; Detroit Institute of Arts, MI; El Museo Del Barrio, NY; The Crystal Bridges Museum of American Art, AR; The San Antonio Museum of Art, TX; McNay Art Museum, TX; The Blanton Museum of Art, TX; and Princeton University Art Museum, NJ; among others. Exhibitions include the Detroit Institute of Arts, MI; The Cleveland Museum of Art, OH; El Museo del Barrio, NY; The Davis Museum, MA; The Chrysler Museum of Art, VA; Smithsonian American Art Museum, D.C.; The Benton Museum of Art, CA; The Contemporary Austin, TX; The Lawndale Art Center, TX; The McNay Museum, TX; North Carolina Museum of Art, NC; and The Print Center New York, NY. Public artworks include ceramic-tiled walls and benches installed along the San Pedro Creek Culture Park in downtown San Antonio,TX. They have been an artist-in-residence at the Skowhegan School of Painting & Sculpture, ME ('11); The Serie Project at Sam Coronado Studios, TX ('12); Vermont Studio Center, VT ('13); Wassaic Project, NY ('16); Segura Arts Studio, IN ('18); The Studios at MASS MoCA, MA ('19); and have participated as a visual arts fellow-in-residence at The Fine Arts Work Center, MA ('15—'16). They are one-half of the artist collective Dos Xicanx.

Photo credit: Anthony Francis